The Sound of Jerusalem begins with the skyline of the city where Sabella was born. He photographed it through 360 degrees, then flattened the full circle of horizons into a single horizontal plane — until the architecture of Jerusalem read no longer as a place, but as a frequency.

Domes, minarets, towers, and rooftops rise and fall across the line like the peaks and troughs of a sound wave. The city becomes a vibration — a visual recording of a place built, contested, and rebuilt across millennia. What we see is almost something we can hear: the pulse of a city compressed into a single, continuous signal.

It is Jerusalem turned into rhythm — image as frequency, history as sound. Here, looking becomes a form of listening.